Hi, I'm Marina Sosnina

As a visual artist, I create live sand performances for symphonic stages.The orchestra needs no help sounding magnificent. What I bring is a visual storytelling dimension: for young audiences, a gentle way into the classical repertoire — for adults, a fresh way back to it.Like music, sand drawing is ephemeral by nature. Thousands of grains come together to create images charged with emotion, only to dissolve again — returning, in the end, to formlessness, just as sound returns to silence.Below is a glimpse into my collaborations with world-class orchestras and conductors across a diverse symphonic repertoire.

Tchaikovsky – Swan Lake
Monte-Carlo Philharmonic Orchestra
Philippe Béran · Joan Mompart

J.S. Bach – St Matthew Passion
Strasbourg Philharmonic Orchestra
John Nelson, conductor

Sérénades et Contes éphémères
Camerata de Lausanne
Pierre Amoyal, violin · direction

Tempus Fugit
Il Seminario Musicale orchestra
Gérard Lesne, counter-tenor · direction

Gian Carlo Menotti – Errand into the Maze
Orchestre Philharmonique de Radio France
Marzena Diakun, conductor

Nikolai Rimsky-Korsakov – The Golden Cockerel (Suite)
St. Petersburg Philharmonic Orchestra
Piotr Maximov, conductor

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